Posts Tagged ‘1904’

Image from page 63 of “Man’s location in nature, and other anthropological essays” (1904)

Sunday, March 27th, 2016

Some cool Cartoon Tattoos photos:

Image from web page 63 of “Man’s spot in nature, and other anthropological essays” (1904)
Cartoon Tattoos

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Identifier: mansplaceinnatur01huxl
Title: Man’s location in nature, and other anthropological essays
Year: 1904 (1900s)
Authors: Huxley, Thomas Henry, 1825-1895
Subjects: Human beings Apes Ethnology Indo-Europeans
Publisher: New York, J. A. Hill and company
Contributing Library: The Library of Congress
Digitizing Sponsor: The Library of Congress

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yftPAfESLEV. Fig. 12.—Butchers Shop of the Anziques Anno 1598. M. Du Chaillus account of the Fans accords most singularly withwhat Lopez right here narrates of the Anziques. He speaks of their smallcrossbows and small arrows, of their axes and knives, ingeniouslysheathed in snake skins. They tattoo themselves far more than any othertribes I have met north of the equator. And all the world knows what 44 MANS Place IN NATURE

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e o OfSS rO +* ^- 00 o oe CO to :^ or la site Si :^ 00 o to ^ ?so *^ o ? =0fS -Ks -K* M. Du Chaillu says of thetr cannibalism — Presently we passed awoman who solved all doubt. She bore with her a piece of the thigh ofa human body, just as we ought to go to market place and carry thence a roastor steak. M. Du Chaillus artist can’t generally be accused of anywant of courage in embodying the statements of his author, and it is tobe regretted that, with so good an excuse, he has not furnished us witha fitting companion to the sketch of the brothers De Bry. RELATIONS OF MAN TO THE Lower ANIMALS n. ON THE EELATIONS OF MAN TO THE LOWEE ANIMALS. Multis videri poterit, majorem esse differentiam Simise et Hominis, quamdiei et noctis verum tamen hi, comparatione instituta inter summosEuropse Heroes et Hottentottes ad Caput bonse spei degentes, difficillimesibi persuadebunt, has eosdem habere natales vel si virginem nobilemaulicam, maxime comtam et humanissimam, conferre vellent cumhomine sylvestri

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Calaca #123,456,789. #art #design #sketch #skull #tattoo #drawing
Cartoon Tattoos

Image by Marco Colin

Image from page 184 of “Mr. Oseba’s final discovery” (1904)

Tuesday, September 22nd, 2015

Verify out these Animal Tattoos photos:

Image from page 184 of “Mr. Oseba’s last discovery” (1904)
Animal Tattoos

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Identifier: mrosebaslastdisc00bell
Title: Mr. Oseba’s last discovery
Year: 1904 (1900s)
Authors: Bell, George W
Subjects: Voyages and travels
Publisher: Wellington, N.Z., The New Zealand Times Co., ltd.
Contributing Library: Duke University Libraries
Digitizing Sponsor: Duke University Libraries

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enjoyed noneof the benefits of outside communication,no help from tameable animals, no experiencesby the chase, no traditions of industrial art,during most likely a lot more than 5 hundred years.However the Maori appears to have attained to a sur-prising degree a relatively complete mental and physicalstature. He has eloquence, perception, inquisi-tiveness and acquisitiveness. He has everythingbut^—civilisation. He has the soul, but it needstuning the material, but it needs shaking-upand seasoning. The magic touch of a newer,a larger inspiration is required, and that is becoming-injected into his awakening consciousness by abenign social sentiment. To-day, stated Oseba, the Zelania Maori,as seen in his grotesque operates of art, in hisstruggle for wild independence, in his weirdreligious ceremony, in his frequent avocations astoiler, expert man or politician, is the mostpicturesque human getting on the planet, andhis presence in Zelania offers a seasoning ofromance to be studied and enioyed in no otherland.

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Tattooed Maori Zhief.—Maori Carving. SCENE Vin.—Act II.APPROPRIATING A World. ALL being in readiness, a number of veryperfect maps were thrown on the canvas,displaying the plains, valleys, mountains,lakes, and rivers of Zelania, with the nature ofthe production of each and every island and a cautious anddetailed description as to location and resourceswas provided by the orator. Then, calling the interest of his audience,Oseba notified the folks that he was nowreaching the closing chapter of his report, or inour refined phrase he was on the homestretch. He mentioned :— ** Now, my youngsters, at this stage of ourinquiry, I want to remind you once again howclosely man is allied to Nature how he isadjusted to all the environing conditions howthe fresh breezes of a temperate zone give hima fair skin how a varied and pleasing aspectgives him a cheerful temperament how themountains recommend to him freedom, and theseas adventure how climate depresses orexhilarates how pastoral pursuits awaken thethe roma

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Image from web page 374 of “Birds that hunt and are hunted: life histories of a single hundred and seventy birds of prey, game birds and water-fowls” (1904)

Thursday, September 4th, 2014

A few nice Wings Tattoos images I located:

Image from web page 374 of “Birds that hunt and are hunted: life histories of a single hundred and seventy birds of prey, game birds and water-fowls” (1904)
Wings Tattoos

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Identifier: cu31924090299755
Title: Birds that hunt and are hunted: life histories of 1 hundred and seventy birds of prey, game birds and water-fowls
Year: 1904 (1900s)
Authors: Blanchan, Neltje
Subjects: Birds
Publisher: New York, Doubleday, Page &amp business

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is head,distends the sacs on either side of his neck that appear like orangesfastened there, ruffles up his feathers to seem twice his naturalsize, erects and spreads his tail, droops his wings, and, rushingacross the arena, takes the floor. Now the ball is opened in-deed. Out rush other dancers, stamping the ground difficult astheir feet beat a fast tattoo the air escaping from their brightsacs making a sort of bubbling crow, quite different from thedeep organ tone of the pinnated grouse the rustling of thevibrating wings and tail furnishing added music. Now all joinin at 1st there is dignified decorum, but the fun grows fastand furious, then nonetheless quicker and nonetheless much more furious the crazybirds twist and twirl, stamp and leap over each other in theirfrenzy, each moment producing a lot more noise, until their energyfinally spent, they calm down into sane creatures once again. Theymove quietly about more than the nicely worn space (a chickensstamping ground, measuring from fifty to 1 hundred feet 282

Text Appearing Soon after Image:
Bob Whites, Grouse, etc. across, according to Mr. Ernest Seton Thompson), when, withoutwarning, some male has a fresh seizure that quickly starts anothersaturnalia. The whole functionality reminds a single so stronglyof a Cree dance, says Mr. Thompson, as to suggest thepossibility of its getting the prototype of the Indian workout. . . .The dancing is indulged in at any time of the morning or even-ing in Could, but it is generally at its height before sunrise. Itserotic character can hardly be questioned, but I can not fix itsplace or worth in the nuptial ceremonies. The reality that I haveseveral occasions noticed the birds join for a brief set to in the latefall merely emphasizes its parallelism to the drumming and strut-ting of the ruffed grouse as effectively as the singing of modest birds. After pairing, the male, in the usual selfish style of histribe, enables his mate to seek some spot of concealment, scratchout an excavation screened by grasses, and attend to all nurs-ery duties, even though he joins a club of

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Image from web page 301 of “The history of the nineteenth century in caricature” (1904)

Thursday, July 31st, 2014

Check out these Lion Tattoos pictures:

Image from page 301 of “The history of the nineteenth century in caricature” (1904)
Lion Tattoos

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Identifier: historyofninetee01maur
Title: The history of the nineteenth century in caricature
Year: 1904 (1900s)
Authors: Maurice, Arthur Bartlett, 1873-1946 Cooper, Frederic Taber, 1864-1937, joint author
Subjects: History, Modern Nineteenth century Caricature
Publisher: New York : Dodd, Mead

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Text Appearing Prior to Image:
A GERMAN Thought OF IRISH House RULE. principle, LEtat cest Moi or once more, just ahead of our warwith Spain, when it was so drawn as to present a capital like-ness of Uncle Sam, the Atlantic and Gulf States forminghis nose and mouth, the latter suggestively opened to takein Cuba, which is swimming dangerously near. Pucksfamous Tattooed Man was only a new application of anidea that had been used prior to even though the representation of agroup of top politicians as members of a freak show, acircus, or a minstrel troop, is as old as minstrels or dime

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CENTURY IN CARICATURE 281 museums themselves. Couple of leading statesmen of the pasthalf century have not at some time in their profession been por-trayed as Hamlet, or Macbeth, or Richard III. even though asfor the traditional use of animals and symbolic figures torepresent the different nations, the British Lion and theRussian Bear, Uncle Sam and French Liberty, these belongto the raw components of caricature, dating back to its very in-ception as an art. And however, although the signifies utilized are essen-tially the same as in the days of Hogarth and Cruikshank,the final results are radically different. The explanation for this distinction might be summed up in asingle word—Journalism. The modern cartoon is essen-tially journalistic, both in spirit and in execution. The spas-modic single sheets of Gillrays period, massive lithographs that

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