Posts Tagged ‘condition’

Image from page 565 of “The pagan tribes of Borneo a description of their physical, moral and intellectual condition, with some discussion of their ethnic relations” (1912)

Sunday, February 8th, 2015

Some cool Dog Tattoos images:

Image from page 565 of “The pagan tribes of Borneo a description of their physical, moral and intellectual condition, with some discussion of their ethnic relations” (1912)
Dog Tattoos

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Identifier: pagantribesofbor01hose
Title: The pagan tribes of Borneo a description of their physical, moral and intellectual situation, with some discussion of their ethnic relations
Year: 1912 (1910s)
Authors: Hose, Charles, 1863-1929 McDougall, William, 1871-1938 Haddon, Alfred C. (Alfred Cort), 1855-1940
Subjects: Ethnology Anthropometry
Publisher: London : Macmillan and co., limited
Contributing Library: University of California Libraries
Digitizing Sponsor: Net Archive

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ous modification ofthis eye is observed in one more Sea Dayak scorpion designfigured by E. B. Haddon [four, Fig. 19]. Furness [3, p. 142]figures a couple of scorpion styles, but neither are quiteas debased as that which we figure right here. Furness alsofigures a scroll design and style, not unlike a Bakatan design and style, tatuedon the forearm, and termed taia gasieng^ the thread of thespinning wheel a related one figured by Ling Roth [7, 1 Mr. E. B. Haddon (four, p. 124) writes : * The tattoo design utilised by theKayans and Kenyahs . . . has been copied and adopted by the Ibans in thesame way as the Kalamantans have done, the primary distinction becoming, thatthe Ibans get in touch with the design and style a scorpion. For this reason the pattern tends tobecome a lot more and a lot more like the scorpion. … The italics are ours. Isnot this placing the cart prior to the horse? It is only when the designresembles a scorpion that the term scorpion is applied to it all other modifi-cations, even even though tending towards the scorpion, are called dog, prawn, orcrab.

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276 PAGAN TRIBES OF BORNEO chap. p. 88] is termed trong, the ^%% plant. On the breast andshoulders some types of rosette or star design and style are tatued inconsiderable profusion they are recognized variously asbunga trough the ^%% plant flower, tandan buahy bunchesof fruit, lukut, an antique bead, and ringgit salilang. Afour-pointed star, such as that shown in Fig. 64, is termedbuah andu^ fruit of Plukenetia corniculata since this fruitis quadrate in shape with pointed angles, it is evident thatthe name has been applied to the pattern because of itsresemblance to the fruit. Furness figures examples ofthese styles and also Ling Roth [7, p. 88]. We figure(Figs. 75, ^six, yy) 3 styles for thethroat recognized often as katak^ frogs,occasionally as tali gasieng, thread of thespinning wheel, and no doubt other mean-ingless names are applied to them. Twoof the figures (Figs. 75, yy) are evidentlymodifications of the Bakatan gerowitdesign, but here they are representedwith the tatu pigment, while wi

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Image from web page 20 of “The Goblin November 1922” (1922)
Dog Tattoos

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Identifier: goblinv3n5toro
Title: The Goblin November 1922
Year: 1922 (1920s)
Authors:
Subjects: Canadian wit and humor Canadian poetry Canadian prose literature
Publisher: Toronto : Goblin
Contributing Library: University of Toronto Archives &amp Records Management Services
Digitizing Sponsor: University of Toronto

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s. But the managing ed. Still racked his head, News, news, we want real news. Up came a yarn Of a big legal suit For a northern pulp mill And a million to boot. Mentioned the managing ed. The publics fed With this sort of point. We have to have news. Ho! a photographer, Breathless but satisfied. Came in with a picture Cried, Heres anything snappy. The managing ed. Raised up his head, News, news, have you got news? Yep, mentioned the other, This girl, its a fac, Has had Einsteins Theory Tattooed on her back. The managing ed. Stood on his head, News! news! Hurray, real news! A Botanical Song Rosae damascenae are redViolae cucullalae are blue,Lilia speciosa are white,Rosemary Menkelberg, I enjoy you. G—G—G Do Tell Model Essay for a Toronto Freshman in Arts. Who I am and why I came to college. I am Percival Aloysius Nobbs III, and I came tocollege since my father, P. Aloysius Nobbs II, whocame to college due to the fact his father P. Aloysius Nobbscame to college, came to college. —D. M. Halllday. G—G-G

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My dog knows as much as I do.What a blessing hes muzzled.

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Image from page 308 of “Ridpath’s Universal history : an account of the origin, primitive condition and ethnic improvement of the great races of mankind, and of the principal events in the evolution and progress of the civilized life among men and nations

Wednesday, August 6th, 2014

Check out these Western Tattoos photos:

Image from web page 308 of “Ridpath’s Universal history : an account of the origin, primitive situation and ethnic development of the great races of mankind, and of the principal events in the evolution and progress of the civilized life among guys and nations
Western Tattoos

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Identifier: ridpathsuniversa08ridp
Title: Ridpath’s Universal history : an account of the origin, primitive situation and ethnic development of the wonderful races of mankind, and of the principal events in the evolution and progress of the civilized life amongst males and nations, from current and genuine sources with a preliminary inquiry on the time, spot and manner of the starting
Year: 1897 (1890s)
Authors: Ridpath, John Clark, 1840-1900
Subjects: Planet history
Publisher: Cincinnati : Jones

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g of wood. Sometimesthev bind together 4 or 5 trunks ofthe mangrove tree, thus constructing arude raft, on which they take to thewater. On the western coasts no boatshave been seen in the hands of the na-tives, and the littoral islands are notvisited by the inhabitants if they lie outfurther to sea than males can swim.The East Australians use their boats infishing, and from this manner derive avery large proportion of their meals. A US TRA LI A NS. —A R TS. 717 In the other arts the Australians arebut tiny above the Hottentots. Pot-tery is unknown. They use as recepta-cles the skins of beasts, bladders, andleathern bags also a kind of basketwhich they frame with some small ability. The folks show a number of symptoms of gashes to heal as they could. The skinand subcutaneous tissue therefore cut 01scored with stone knives rises up inwelts, giving to those components of the bodyon which they are produced a horrid ap-pearance. The breast and the back areselected for scarification, and the period

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THE GRASSHOPPER HARVEST.—Drawn by Tofani, from a description. that rudimentary and abnormal pridewhich is one particular of the attributes of barba-rism. This is manifested in Manifestation of . pride manner of tattooing the physique | but the tattooing. r ,-, -, , use 01 the word tattoo ishardly correct as applied to the workwhich the Australians do upon them-selves. Such perform consists, as we haveseen, in creating scars in regularforms by the cutting of the surface ofthe physique and allowing the wounds and of coming to maturity as the time ofproducing this savage mutilation of theperson. We have spoken above of the relativeintellectual rank of these people. In afew particulars the facul- perceptive pow-ties of the thoughts are keen £^££5-and pretty rapid in action. ties-These qualities are observed in distinguish-ing one object from another, and in theexercise of such powers as lie nearest to 718 Great RACES OE MANKIND. the natural .senses. Time and once again, inthe preceding pages, we have observedthe abs

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Image from page 28 of “More than the trails of Glacier National Park” (1911)
Western Tattoos

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Identifier: overtrailsofglac00dill
Title: More than the trails of Glacier National Park
Year: 1911 (1910s)
Authors: Dillon, Tom
Subjects: Glacier National Park
Publisher: [St. Paul, Minn.] : [Fantastic Northern Railway]

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Looking Northeast from the Garden Wall, Glacier National Park GLACIER NATIONAL PARK 27 As soon as inside their dry shelter we ex-pressed our contempt for all kinds ofweather. The rain beat a vicious tattoo on theroofs that was only a staccato quickstepthat marched us all double-rapid toslumberland. The rattle on the roofgrew weaker soon after a time, and the moonpeeped out on the camp from a raggedbank of cloud, throwing a soft, silveryradiance over the scene. By means of thescreens the waterfalls could be seenfrisking down, ghostly white, while thepale-tipped pines murmured softly toeach other. The bell mares steadytinkle, as she grazed back and forth,ebbed and flowed in volume, waningfrom a harsh, brassy jangle to goldenmelody in the orchestral ensemble ofthe water, the woods and the wind,that merged into the dream vagariesthat pass lightly just before sleepmounts guard.

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—to gaze downward In silenced awe—he is9,000 feet above sea level. CHAPTER IV Gunsight Pass Hit the floor! Yet another day, damply fragrant, had rolled about, with the mounting sunfurbishing the western peaks in gold, orange and purple. The unpoetic scent ofnewly-fried bacon sifts through the trees, breaking in on esthetic musings. Break-quick more than, the climb for Gunsight Pass starts. Gunsight is a matter of 5 milesaway. A series of quick, swift scrambles up a thousand feet, and the timberline is passed. There are sudden plunges down into the stunted vegetation, andbreathless upward climbs. Amphitheaters, hollowed ages ago by the ice, areskirted on till one of these sudden turns brings Lake Louise, shimmering in all its shades of green, almost below the horses feet.On its surface lie the shadows of numerous mountains,and every tiny whisp of cloud that sails the skyis photographed in its depths. Seeking into itone sees a globe upside down, the reflection assoftly clear as the reality

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