Posts Tagged ‘more’

A sign of the instances: $2,000 fine if you sit in an “idling” automobile for a lot more than a minute

Tuesday, August 11th, 2015

Verify out these Eye Tattoos photos:

A sign of the instances: ,000 fine if you sit in an “idling” vehicle for more than a minute
Eye Tattoos

Image by Ed Yourdon
This photo was taken on 89th Street, between Amsterdam and Columbus Avenue.

Note that this is not a posh private school in a wealthy neighborhood it’s an ordinary public college on the Upper West Side of Manhattan. A ,000 fine is probably to be far more than the average resident has in his bank account …

And it makes you wonder: if we came back to this spot ten years from now, how significantly would the fine be then? ,000?

Note: this photo was published in an Apr 14, 2014 blog titled &quotNYC Lifts Ban on Churches in Schools.&quot

***************

This set of images is primarily based on a quite simple notion: walk every single block of Manhattan with a camera, and see what takes place. To steer clear of missing something, walk both sides of the street.

That is all there is to it …

Of course, if you wanted to be far more ambitious, you could also stroll the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s more than I am prepared to commit to at this point, and I’ll leave the remaining boroughs of New York City to other, more adventurous photographers.

Oh, truly, there is 1 far more small detail: leave the photos alone for a month — unedited, untouched, and unviewed. By the time I actually concentrate on the very first of these &quotevery-block&quot images, I will have taken a lot more than 8,000 pictures on the nearby streets of the Upper West Side — plus one more numerous thousand in Rome, Coney Island, and the various spots in NYC exactly where I traditionally take pictures. So I never anticipate to be emotionally attached to any of the &quotevery-block&quot images, and hope that I will be able to make an objective choice of the ones worth seeking at.

As for the criteria that I’ve used to pick the modest subset of each and every-block photographs that get uploaded to Flickr: there are 3. First, I’ll upload any photo that I feel is &quotgreat,&quot and where I hope the reaction of my Flickr-close friends will be, &quotI have no idea when or exactly where that photo was taken, but it really is really a terrific image!&quot

A second criterion has to do with location, and the third involves time. I am hoping that I will take some photographs that clearly say, &quotThis is New York!&quot to anybody who appears at it. Certainly, certain landscape icons like the Empire State Building or the Statue of Liberty would satisfy that criterion but I’m hoping that I will uncover other, much more unexpected examples. I hope that I will be in a position to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that’s not recognizable to an individual from one more part of the country, or another part of the planet, I know that that’s New York!&quot And there may be some photographs exactly where a &quotnon-nearby&quot viewer may well say, &quotI had no notion that there was anyplace in New York City that was so interesting/stunning/ugly/spectacular.&quot

As for the sense of time: I bear in mind wandering around my neighborhood in 2005, photographing different shops, shops, restaurants, and business establishments — and then casually looking at the pictures about five years later, and being stunned by how much had changed. Small by tiny, store by shop, day by day, items modify … and when you have been around as long as I have, it’s even a lot more incredible to go back and look at the images you took thirty or forty years ago, and ask your self, &quotWas it genuinely like that back then? Seriously, did men and women actually wear bell-bottom jeans?&quot

So, with the expectation that I will be hunting at these each-block photographs 5 or ten years from now (and maybe you will be, also), I am going to be carrying out my greatest to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no notion what we’re calling this decade yet). Or possibly they’ll just say to us, &quotThis is what it was like a dozen years following 9-11&quot.

Movie posters are a trivial example of such a time-particular image I’ve already taken a bunch, and I do not know if I will in the end make a decision that they’re worth uploading. Women’s style/styles are yet another clear instance of a time-particular phenomenon and even though I am undoubtedly not a fashion specialist, I suspected that I will be in a position to look at some pictures ten years from now and mutter to myself, &quotDid we actually put on shirts like that? Did females truly wear those weird skirts that are quick in the front, and lengthy in the back? Did everyone in New York have a tattoo?&quot

One more instance: I’m fascinated by the interactions that men and women have with their cellphones out on the street. It seems that every person has one, which surely wasn’t correct a decade ago and it appears that every person walks down the street with their eyes and their whole conscious interest riveted on this little box-like gadget, utterly oblivious about something else that might be going on (among other things, that tends to make it very simple for me to photograph them with no their even noticing, particularly if they’ve also got earphones so they can listen to music or carry on a phone conversation). But I can not help questioning regardless of whether this kind of social behavior will seem bizarre a decade from now … specially if our cellphones have become so miniaturized that they’re incorporated into the glasses we put on, or implanted directly into our eyeballs.

Oh, a single last thing: I’ve created a customized Google Map to show the precise details of each day’s photo-stroll. I’ll be updating it every day, and the most recent component of my every single-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it every single day to see where I’ve been, by clicking on this link

URL link to Ed’s every single-block progress by way of Manhattan

If you have any recommendations about locations that I must definitely go to to get some excellent images, or if you’d like me to photograph you in your small corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me directly at ed-at-yourdon-dot-com

Stay tuned as the photo-walk continues, block by block …

We New Yorkers had been often humble and modest … but then some bank told us we were specific.
Eye Tattoos

Image by Ed Yourdon
This was taken at the intersection of six 1/2th Ave (yes, there is such an Avenue in NYC!) and 55th Street.

Santander Bank USA is the American subsidiary of the Santander Group, a Spanish-based worldwide financial institution. I’m not sure why they have such a higher opinion of New York City … but on the other hand, who can blame them?

If you want to know a lot more about the Santander parent organization, you can find them right here on Wikipedia: en.wikipedia.org/wiki/Santander_Group.

Note: I chose this as my &quotphoto of the day&quot for Dec 18, 2013.

***************

This set of pictures is based on a quite easy idea: walk each and every block of Manhattan with a camera, and see what occurs. To steer clear of missing anything, walk each sides of the street.

That is all there is to it …

Of course, if you wanted to be a lot more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s a lot more than I am willing to commit to at this point, and I’ll leave the remaining boroughs of New York City to other, more adventurous photographers.

Oh, truly, there is one a lot more small detail: leave the pictures alone for a month — unedited, untouched, and unviewed. By the time I in fact focus on the 1st of these &quotevery-block&quot photographs, I will have taken far more than 8,000 pictures on the nearby streets of the Upper West Side — plus an additional a number of thousand in Rome, Coney Island, and the a variety of spots in NYC where I traditionally take pictures. So I never count on to be emotionally attached to any of the &quotevery-block&quot pictures, and hope that I will be able to make an objective choice of the ones worth looking at.

As for the criteria that I’ve employed to choose the small subset of every single-block photographs that get uploaded to Flickr: there are three. First, I’ll upload any photo that I feel is &quotgreat,&quot and exactly where I hope the reaction of my Flickr-close friends will be, &quotI have no concept when or where that photo was taken, but it’s genuinely a terrific picture!&quot

A second criterion has to do with location, and the third entails time. I am hoping that I’ll take some photos that clearly say, &quotThis is New York!&quot to anybody who appears at it. Obviously, particular landscape icons like the Empire State Constructing or the Statue of Liberty would satisfy that criterion but I’m hoping that I’ll find other, a lot more unexpected examples. I hope that I’ll be able to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that is not recognizable to someone from an additional portion of the country, or yet another element of the world, I know that that’s New York!&quot And there may well be some pictures where a &quotnon-local&quot viewer may say, &quotI had no concept that there was anyplace in New York City that was so exciting/beautiful/ugly/spectacular.&quot

As for the sense of time: I keep in mind wandering about my neighborhood in 2005, photographing a variety of shops, retailers, restaurants, and business establishments — and then casually looking at the photos about five years later, and becoming stunned by how considerably had changed. Tiny by tiny, retailer by shop, day by day, issues adjust … and when you’ve been around as lengthy as I have, it’s even far more remarkable to go back and appear at the photographs you took thirty or forty years ago, and ask oneself, &quotWas it actually like that back then? Seriously, did individuals actually put on bell-bottom jeans?&quot

So, with the expectation that I will be searching at these each-block images five or ten years from now (and perhaps you will be, too), I’m going to be performing my best to capture scenes that convey the sense that they have been taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no thought what we’re calling this decade however). Or perhaps they will just say to us, &quotThis is what it was like a dozen years soon after 9-11&quot.

Movie posters are a trivial example of such a time-specific image I’ve already taken a bunch, and I do not know if I’ll eventually determine that they are worth uploading. Women’s fashion/types are an additional obvious instance of a time-distinct phenomenon and even though I am certainly not a style professional, I suspected that I’ll be capable to look at some images ten years from now and mutter to myself, &quotDid we really put on shirts like that? Did girls actually wear those weird skirts that are brief in the front, and long in the back? Did everybody in New York have a tattoo?&quot

One more example: I’m fascinated by the interactions that people have with their cellphones out on the street. It seems that every person has one particular, which certainly wasn’t accurate a decade ago and it appears that every person walks down the street with their eyes and their entire conscious attention riveted on this small box-like gadget, utterly oblivious about anything else that may well be going on (amongst other factors, that tends to make it really simple for me to photograph them without having their even noticing, particularly if they’ve also got earphones so they can listen to music or carry on a phone conversation). But I can’t help questioning whether or not this type of social behavior will look bizarre a decade from now … particularly if our cellphones have turn into so miniaturized that they’re incorporated into the glasses we put on, or implanted directly into our eyeballs.

Oh, a single final thing: I’ve created a customized Google Map to show the precise details of every single day’s photo-walk. I’ll be updating it every day, and the most current portion of my each-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it every day to see exactly where I’ve been, by clicking on this link

URL link to Ed’s each and every-block progress through Manhattan

If you have any recommendations about areas that I must undoubtedly visit to get some excellent photographs, or if you’d like me to photograph you in your small corner of New York City, please let me know. You can send me a Flickr-mail message, or you can e mail me straight at ed-at-yourdon-dot-com

Keep tuned as the photo-stroll continues, block by block …

New Yorkers are a lot more affectionate than you might think …

Tuesday, May 12th, 2015

A few good Lady Tattoos photos I found:

New Yorkers are far more affectionate than you may possibly feel …
Woman Tattoos

Image by Ed Yourdon
Note: this photo was taken on the northwest corner of Madison and 96th Street in Manhattan.

Note: I chose this as my &quotphoto of the day&quot for Mar two, 2014.

***************

This set of pictures is primarily based on a really simple concept: walk each block of Manhattan with a camera, and see what happens. To stay away from missing anything, walk each sides of the street.

That’s all there is to it …

Of course, if you wanted to be far more ambitious, you could also stroll the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s more than I’m prepared to commit to at this point, and I will leave the remaining boroughs of New York City to other, far more adventurous photographers.

Oh, truly, there’s 1 more little detail: leave the images alone for a month — unedited, untouched, and unviewed. By the time I truly concentrate on the first of these &quotevery-block&quot images, I will have taken much more than eight,000 pictures on the nearby streets of the Upper West Side — plus another many thousand in Rome, Coney Island, and the various spots in NYC where I traditionally take photographs. So I never anticipate to be emotionally attached to any of the &quotevery-block&quot pictures, and hope that I will be able to make an objective selection of the ones worth hunting at.

As for the criteria that I’ve used to choose the little subset of every single-block photographs that get uploaded to Flickr: there are 3. Initial, I’ll upload any photo that I think is &quotgreat,&quot and exactly where I hope the reaction of my Flickr-friends will be, &quotI have no idea when or exactly where that photo was taken, but it really is actually a terrific picture!&quot

A second criterion has to do with location, and the third requires time. I am hoping that I’ll take some images that clearly say, &quotThis is New York!&quot to any person who appears at it. Obviously, specific landscape icons like the Empire State Creating or the Statue of Liberty would satisfy that criterion but I am hoping that I’ll uncover other, much more unexpected examples. I hope that I will be capable to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that is not recognizable to someone from an additional part of the country, or an additional element of the planet, I know that that’s New York!&quot And there might be some pictures exactly where a &quotnon-neighborhood&quot viewer may well say, &quotI had no idea that there was anyplace in New York City that was so exciting/stunning/ugly/spectacular.&quot

As for the sense of time: I remember wandering around my neighborhood in 2005, photographing various shops, retailers, restaurants, and business establishments — and then casually searching at the photographs about five years later, and getting stunned by how much had changed. Small by little, retailer by retailer, day by day, items adjust … and when you’ve been around as extended as I have, it really is even far more amazing to go back and look at the images you took thirty or forty years ago, and ask oneself, &quotWas it genuinely like that back then? Seriously, did people really wear bell-bottom jeans?&quot

So, with the expectation that I will be searching at these every-block photographs five or ten years from now (and perhaps you will be, as well), I am going to be performing my ideal to capture scenes that convey the sense that they have been taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no thought what we’re calling this decade however). Or possibly they will just say to us, &quotThis is what it was like a dozen years following 9-11&quot.

Movie posters are a trivial instance of such a time-distinct image I’ve currently taken a bunch, and I never know if I’ll ultimately decide that they’re worth uploading. Women’s fashion/styles are yet another clear example of a time-particular phenomenon and even although I’m undoubtedly not a fashion specialist, I suspected that I will be in a position to appear at some pictures ten years from now and mutter to myself, &quotDid we actually put on shirts like that? Did girls truly wear these weird skirts that are quick in the front, and long in the back? Did absolutely everyone in New York have a tattoo?&quot

Another instance: I am fascinated by the interactions that people have with their cellphones out on the street. It seems that everyone has one, which surely wasn’t correct a decade ago and it appears that everyone walks down the street with their eyes and their complete conscious consideration riveted on this tiny box-like gadget, utterly oblivious about anything else that may be going on (among other items, that tends to make it extremely straightforward for me to photograph them without having their even noticing, specifically if they’ve also got earphones so they can listen to music or carry on a phone conversation). But I cannot assist asking yourself whether this sort of social behavior will seem bizarre a decade from now … specifically if our cellphones have turn into so miniaturized that they’re incorporated into the glasses we wear, or implanted directly into our eyeballs.

Oh, 1 last factor: I’ve designed a customized Google Map to show the precise particulars of every single day’s photo-walk. I will be updating it each and every day, and the most recent component of my each and every-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it every single day to see where I’ve been, by clicking on this link

URL hyperlink to Ed’s every-block progress via Manhattan

If you have any recommendations about locations that I must certainly visit to get some good photographs, or if you’d like me to photograph you in your small corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me straight at ed-at-yourdon-dot-com

Keep tuned as the photo-stroll continues, block by block …

New Yorkers truly never care if they block a taxi. Their text messages are a lot more crucial

Saturday, May 9th, 2015

Verify out these Music Tattoos images:

New Yorkers genuinely don’t care if they block a taxi. Their text messages are a lot more crucial
Music Tattoos

Image by Ed Yourdon
This was taken on Bleecker, beteween Mercer &amp Thompson, in Greenwich Village.

***************

This set of images is primarily based on a very easy idea: walk every block of Manhattan with a camera, and see what happens. To steer clear of missing something, walk both sides of the street.

That is all there is to it …

Of course, if you wanted to be much more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s more than I’m willing to commit to at this point, and I will leave the remaining boroughs of New York City to other, more adventurous photographers.

Oh, truly, there’s one a lot more little detail: leave the photos alone for a month — unedited, untouched, and unviewed. By the time I really focus on the 1st of these &quotevery-block&quot photographs, I will have taken much more than 8,000 images on the nearby streets of the Upper West Side — plus one more several thousand in Rome, Coney Island, and the different spots in NYC exactly where I traditionally take photographs. So I never expect to be emotionally attached to any of the &quotevery-block&quot pictures, and hope that I’ll be capable to make an objective choice of the ones worth searching at.

As for the criteria that I’ve used to select the tiny subset of every single-block images that get uploaded to Flickr: there are three. First, I’ll upload any photo that I believe is &quotgreat,&quot and exactly where I hope the reaction of my Flickr-pals will be, &quotI have no idea when or where that photo was taken, but it really is really a terrific picture!&quot

A second criterion has to do with spot, and the third requires time. I am hoping that I’ll take some images that clearly say, &quotThis is New York!&quot to anybody who looks at it. Clearly, certain landscape icons like the Empire State Developing or the Statue of Liberty would satisfy that criterion but I’m hoping that I’ll find other, far more unexpected examples. I hope that I will be capable to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that is not recognizable to someone from an additional part of the nation, or an additional part of the globe, I know that that’s New York!&quot And there might be some photos where a &quotnon-regional&quot viewer may well say, &quotI had no thought that there was anyplace in New York City that was so intriguing/stunning/ugly/spectacular.&quot

As for the sense of time: I don’t forget wandering around my neighborhood in 2005, photographing various shops, retailers, restaurants, and organization establishments — and then casually seeking at the images about five years later, and being stunned by how much had changed. Small by small, retailer by store, day by day, things alter … and when you’ve been around as long as I have, it’s even much more remarkable to go back and appear at the photos you took thirty or forty years ago, and ask your self, &quotWas it truly like that back then? Seriously, did folks genuinely wear bell-bottom jeans?&quot

So, with the expectation that I’ll be hunting at these every single-block photographs 5 or ten years from now (and maybe you will be, too), I’m going to be undertaking my ideal to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no notion what we’re calling this decade yet). Or perhaps they will just say to us, &quotThis is what it was like a dozen years soon after 9-11&quot.

Film posters are a trivial instance of such a time-certain image I’ve currently taken a bunch, and I never know if I’ll eventually determine that they’re worth uploading. Women’s fashion/styles are an additional clear instance of a time-particular phenomenon and even even though I am definitely not a style professional, I suspected that I’ll be capable to look at some photos ten years from now and mutter to myself, &quotDid we really put on shirts like that? Did women truly wear these weird skirts that are brief in the front, and long in the back? Did every person in New York have a tattoo?&quot

One more instance: I am fascinated by the interactions that men and women have with their cellphones out on the street. It seems that everyone has one, which undoubtedly wasn’t accurate a decade ago and it appears that every person walks down the street with their eyes and their entire conscious attention riveted on this tiny box-like gadget, utterly oblivious about anything else that may be going on (among other factors, that makes it very straightforward for me to photograph them with no their even noticing, particularly if they’ve also got earphones so they can listen to music or carry on a phone conversation). But I can not aid questioning regardless of whether this type of social behavior will seem bizarre a decade from now … especially if our cellphones have become so miniaturized that they’re incorporated into the glasses we put on, or implanted directly into our eyeballs.

If you have any ideas about areas that I should undoubtedly visit to get some good pictures, or if you’d like me to photograph you in your tiny corner of New York City, please let me know. You can send me a Flickr-mail message, or you can email me straight at ed-at-yourdon-dot-com

Remain tuned as the photo-walk continues, block by block …

In New York, some men and women put on huge sunglasses. And some men and women wear funny scarves
Music Tattoos

Image by Ed Yourdon
This was taken on Houston Street, at the intersection with Essex Street at the northern edge of SoHo, down in the Lower East Side of Manhattan.

In the background, you can see the street sign for Norfolk Street, and on the correct is the fenced-in northern boundary of the ABC Playground. Not to be confused with Hamilton Fish Park, which is about 5 blocks additional east.

As for the young lady on the proper: if that is indeed a monster-size bottle of Red Bull that she’s holding, then I can realize why her hair has turned orange. It may also explain why the man on the left felt that he need to wear oversize sunglasses.

Alas, this photo was shot in (ugh) JPEG, simply because I had just gotten a new Sony A7 Mark II camera, and had forgotten to verify regardless of whether my Apple photo-editing application (Aperture, which I’m desperately holding onto in the hope that Apple’s new Photographs app will not make me crawl and slither to the Dark Side of the Force recognized as Lightroom) had RAW support for the new camera. It turned out that it did not have it at the time (which I checked by means of Google on my iPhone, proper out there on Houston Street). Feh. So, anyway, I had rather restricted ability to lighten the dark-shadowed colors of the couple’s pants.

Note: I chose this as my &quotphoto of the day&quot for Might six, 2015.

***************

This set of photos is primarily based on a very straightforward concept: walk every single block of Manhattan with a camera, and see what occurs. To keep away from missing something, stroll each sides of the street.

That’s all there is to it … it really is a project that I started in the spring of 2013, continued pretty often through the fall of 2014, and have now resumed in the spring of 2015 …

Of course, if you wanted to be a lot more ambitious, you could also walk the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s far more than I’m willing to commit to at this point, and I’ll leave the remaining boroughs of New York City to other, a lot more adventurous photographers.

Oh, really, there’s 1 far more little detail: leave the photographs alone for a month — unedited, untouched, and unviewed. By the time I actually focus on the initial of these &quotevery-block&quot photographs, I will have taken much more than eight,000 pictures on the nearby streets of the Upper West Side — plus an additional a number of thousand in Rome, Coney Island, and the various spots in NYC exactly where I traditionally take pictures. So I never expect to be emotionally attached to any of the &quotevery-block&quot photos, and hope that I will be capable to make an objective choice of the ones worth hunting at.

As for the criteria that I’ve employed to select the tiny subset of every single-block photographs that get uploaded to Flickr: there are 3. First, I will upload any photo that I consider is &quotgreat,&quot and exactly where I hope the reaction of my Flickr-pals will be, &quotI have no notion when or exactly where that photo was taken, but it’s genuinely a terrific image!&quot

A second criterion has to do with spot, and the third requires time. I’m hoping that I’ll take some pictures that clearly say, &quotThis is New York!&quot to anyone who looks at it. Naturally, particular landscape icons like the Empire State Developing or the Statue of Liberty would satisfy that criterion but I’m hoping that I will locate other, much more unexpected examples. I hope that I’ll be in a position to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that’s not recognizable to someone from yet another element of the nation, or yet another portion of the globe, I know that that’s New York!&quot And there may possibly be some pictures exactly where a &quotnon-nearby&quot viewer may possibly say, &quotI had no notion that there was anyplace in New York City that was so intriguing/gorgeous/ugly/spectacular.&quot

As for the sense of time: I don’t forget wandering around my neighborhood in 2005, photographing different shops, shops, restaurants, and company establishments — and then casually searching at the pictures about five years later, and becoming stunned by how considerably had changed. Tiny by little, store by shop, day by day, factors change … and when you have been about as extended as I have, it’s even a lot more incredible to go back and appear at the pictures you took thirty or forty years ago, and ask yourself, &quotWas it genuinely like that back then? Seriously, did folks really wear bell-bottom jeans?&quot

So, with the expectation that I’ll be looking at these every single-block images five or ten years from now (and maybe you will be, as well), I am going to be performing my greatest to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no concept what we’re calling this decade yet). Or possibly they’ll just say to us, &quotThis is what it was like a dozen years right after 9-11&quot.

Movie posters are a trivial instance of such a time-distinct image I’ve currently taken a bunch, and I don’t know if I will in the end decide that they are worth uploading. Women’s style/designs are another apparent instance of a time-distinct phenomenon and even although I’m definitely not a style specialist, I suspected that I’ll be in a position to appear at some images ten years from now and mutter to myself, &quotDid we genuinely wear shirts like that? Did women genuinely put on those weird skirts that are brief in the front, and extended in the back? Did everyone in New York have a tattoo?&quot

An additional instance: I’m fascinated by the interactions that individuals have with their cellphones out on the street. It appears that absolutely everyone has one, which surely wasn’t true a decade ago and it appears that every person walks down the street with their eyes and their whole conscious consideration riveted on this little box-like gadget, utterly oblivious about something else that may possibly be going on (among other issues, that makes it extremely straightforward for me to photograph them without their even noticing, particularly if they’ve also got earphones so they can listen to music or carry on a phone conversation). But I can’t support wondering whether this type of social behavior will seem bizarre a decade from now … specifically if our cellphones have become so miniaturized that they are incorporated into the glasses we wear, or implanted directly into our eyeballs.

If you have any ideas about locations that I need to certainly visit to get some good photographs, or if you’d like me to photograph you in your tiny corner of New York City, please let me know. You can send me a Flickr-mail message, or you can e mail me directly at ed-at-yourdon-dot-com

Keep tuned as the photo-stroll continues, block by block …

One more view of the Freedom Tower

Saturday, April 4th, 2015

Some cool Eye Tattoos pictures:

Yet another view of the Freedom Tower
Eye Tattoos

Image by Ed Yourdon
This photo was taken on 7th Avenue South and 13th Street

***************

This set of photos is primarily based on a quite straightforward concept: stroll every single block of Manhattan with a camera, and see what happens. To stay away from missing anything, stroll each sides of the street.

That is all there is to it …

Of course, if you wanted to be more ambitious, you could also stroll the streets of Brooklyn, Queens, Staten Island, and the Bronx. But that’s more than I’m prepared to commit to at this point, and I will leave the remaining boroughs of New York City to other, much more adventurous photographers.

Oh, actually, there is a single much more modest detail: leave the images alone for a month — unedited, untouched, and unviewed. By the time I truly focus on the first of these &quotevery-block&quot images, I will have taken more than eight,000 pictures on the nearby streets of the Upper West Side — plus an additional several thousand in Rome, Coney Island, and the various spots in NYC exactly where I traditionally take photos. So I never anticipate to be emotionally attached to any of the &quotevery-block&quot pictures, and hope that I will be able to make an objective choice of the ones worth seeking at.

As for the criteria that I’ve utilised to choose the tiny subset of each and every-block images that get uploaded to Flickr: there are three. 1st, I will upload any photo that I consider is &quotgreat,&quot and where I hope the reaction of my Flickr-close friends will be, &quotI have no concept when or exactly where that photo was taken, but it really is truly a terrific picture!&quot

A second criterion has to do with place, and the third requires time. I’m hoping that I’ll take some photographs that clearly say, &quotThis is New York!&quot to any person who appears at it. Clearly, specific landscape icons like the Empire State Constructing or the Statue of Liberty would satisfy that criterion but I’m hoping that I’ll find other, more unexpected examples. I hope that I will be in a position to take some shots that will make a &quotlocal&quot viewer say, &quotWell, even if that is not recognizable to an individual from another portion of the country, or an additional element of the globe, I know that that’s New York!&quot And there may possibly be some photos where a &quotnon-regional&quot viewer might say, &quotI had no notion that there was anyplace in New York City that was so fascinating/lovely/ugly/spectacular.&quot

As for the sense of time: I keep in mind wandering around my neighborhood in 2005, photographing a variety of shops, retailers, restaurants, and organization establishments — and then casually searching at the photographs about 5 years later, and getting stunned by how considerably had changed. Tiny by small, shop by store, day by day, issues change … and when you have been about as long as I have, it is even more incredible to go back and look at the pictures you took thirty or forty years ago, and ask yourself, &quotWas it actually like that back then? Seriously, did people really put on bell-bottom jeans?&quot

So, with the expectation that I will be searching at these each and every-block photographs 5 or ten years from now (and perhaps you will be, also), I am going to be carrying out my very best to capture scenes that convey the sense that they were taken in the year 2013 … or at least sometime in the decade of the 2010’s (I have no idea what we’re calling this decade but). Or possibly they’ll just say to us, &quotThis is what it was like a dozen years following 9-11&quot.

Movie posters are a trivial example of such a time-particular image I’ve already taken a bunch, and I don’t know if I’ll ultimately determine that they’re worth uploading. Women’s style/types are an additional obvious example of a time-certain phenomenon and even though I am absolutely not a style expert, I suspected that I’ll be able to look at some pictures ten years from now and mutter to myself, &quotDid we really wear shirts like that? Did women genuinely wear those weird skirts that are brief in the front, and extended in the back? Did everyone in New York have a tattoo?&quot

Yet another example: I’m fascinated by the interactions that individuals have with their cellphones out on the street. It seems that everybody has one, which surely wasn’t true a decade ago and it seems that absolutely everyone walks down the street with their eyes and their entire conscious focus riveted on this small box-like gadget, utterly oblivious about anything else that may possibly be going on (amongst other things, that tends to make it quite easy for me to photograph them with out their even noticing, specifically if they’ve also got earphones so they can listen to music or carry on a telephone conversation). But I cannot support asking yourself no matter whether this kind of social behavior will seem bizarre a decade from now … particularly if our cellphones have turn into so miniaturized that they are incorporated into the glasses we wear, or implanted straight into our eyeballs.

Oh, one particular last thing: I’ve designed a customized Google Map to show the precise details of each day’s photo-stroll. I’ll be updating it every day, and the most current portion of my each and every-block journey will be marked in red, to differentiate it from all of the older segments of the journey, which will be shown in blue. You can see the map, and peek at it every single day to see exactly where I’ve been, by clicking on this link

URL link to Ed’s every-block progress via Manhattan

If you have any suggestions about places that I need to definitely check out to get some very good photos, or if you’d like me to photograph you in your small corner of New York City, please let me know. You can send me a Flickr-mail message, or you can e mail me directly at ed-at-yourdon-dot-com

Remain tuned as the photo-walk continues, block by block …

I am completely calm – but if you ever flirt with that girl once more, I will kill you. Got it?

Monday, February 9th, 2015

A handful of good Music Tattoos pictures I discovered:

I’m completely calm – but if you ever flirt with that girl once again, I’ll kill you. Got it?
Music Tattoos

Image by Ed Yourdon
(much more particulars later, as time permits)

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As I’ve noted in other Flickr photo sets, I have visited Rome’s Piazza del Popolo on several occasions over a period of practically 40 years, and have taken numerous photographs there. Even though I’ve had a couple of early-morning photo sessions, most of my visits have been in the afternoon — when I have basically walked around the broad, open plaza to photograph whatever exciting sights and men and women presented themselves. On this most current pay a visit to in October 2011, I walked more than to Piazza del Popolo on a Saturday afternoon to see what was going on. To my surprise, there was a huge political rally underway but I did not understand any of the speeches, simply because I do not speak Italian. When the protest rally ended, music began playing, and absolutely everyone in the crowd began singing a loud, raucous, cheerful song. I do not know what the protest was all about, although somebody eventually told me it was a labor union rally against Berlusconi — who resigned about a month right after this rally took spot. Anyway, these images are in a different Flickr set, which you can locate here on the Net.

I returned to Piazza del Popolo a handful of days later, after I had finished my enterprise in Rome, to photograph the scene on a &quotnormal&quot weekday afternoon. And that is what you will uncover in this Flickr set … just a bunch of normal Roman citizens, on a typical afternoon in one of their favored gathering places in the city…

Image from web page 33 of “The body and its ailments: a handbook of familiar directions for care and medical aid in the much more usual complaints and injuries” (1876)

Monday, December 29th, 2014

Verify out these Fish Tattoos photos:

Image from page 33 of “The body and its ailments: a handbook of familiar directions for care and medical aid in the much more usual complaints and injuries” (1876)
Fish Tattoos

Image by World wide web Archive Book Images
Identifier: bodyitsailmentsh00naph
Title: The body and its ailments: a handbook of familiar directions for care and health-related aid in the far more usual complaints and injuries
Year: 1876 (1870s)
Authors: Napheys, George H. (George Henry), 1842-1876
Subjects:
Publisher: Philadelphia, H. C. Watts &amp co.

View Book Web page: Book Viewer
About This Book: Catalog Entry
View All Pictures: All Images From Book

Click here to view book on the internet to see this illustration in context in a browseable on-line version of this book.

Text Appearing Before Image:
hy vascular appearance of that of a fair-complexioned Euro-pean, The artificial colors imparted to the skin by tattooing, sofrequently seen amongst sailors, and of which such curious and oftenvery sophisticated examples are identified among the South Sea Islanders,are indelible, residing as they do in the true skin, and can only beremoved by the destruction of the part. They may possibly, even so, beconcealed, for a time at least, by pricking in over the marks a finerouge of the precise color of the skin, repeating the operation whennecessary. Hairs are identified upon practically every portion of the surface of thebody, except the palms of the hands and the soles of the feet. Ahair is composed of a bulb or root, which is the part imbedded in theskin of a shaft, which is the totally free portion and of a point. In figure2, there is shown the inside of a hair, by which it will be observed to bea delicate tube. The minute canal there pictured is filled with air.The walls of the hair tube are double, the outer coat consisting of3*

Text Appearing After Image:
30 Structure and Action of the Physique. flat scales, the inner coat of cells which include the coloring matter. The surface of each and every hair is as a result covered by minute scales, like 2 these of a fish. They overlap every single other from root to point, which is the cause that a hair, when drawn via the fingers from the root to the point, feels smooth, but rough when drawn from point to root. The number of the hairs on a healthy head have been calculated to be more than a hundred thousand. The hair of the head grows at the rate of about eight or ten inches a year. The influence of the mind upon the colour and development of the hair of the head is well recognized, fear, anxiety, and dismal emotions weakening it and turning it gray. Typically, the alter in colour is gradual, but genuine situations are on record of theInsideofahair. hair turnmg gray in a single nigllt A tedious night indeed, that tends to make a young man old, The topic of hair washes and tonics will occupy us in theirproper location, in accordance with

Note About Photos
Please note that these photos are extracted from scanned page pictures that may possibly have been digitally enhanced for readability – coloration and appearance of these illustrations may possibly not perfectly resemble the original work.

Fireworks more than the “Grand Finale”

Thursday, September 25th, 2014

Some cool Military Tattoos pictures:

Fireworks over the “Grand Finale”
Military Tattoos

Image by U.S. Army Europe Photos
The “Grand Finale” right here in Moscow at the Moscow Military Tattoo, also recognized as the “Spasskaya Tower” Festival. A Russian band enters the square and plays their selections. They are then joined by the USAREUR Band and Chorus along with bands and performers from 9 other countries, all playing in the grand finale. Virtually 1000 musicians and singers/dancers participated tonight, providing an remarkable overall performance of Overture of 1812.
The “Spasskaya Tower” Festival runs four-9 September 2010. This is the first time in history that the US Army Europe Band and Chorus have performed in Red Square. 5 years ago they performed at the Kremlin, but never just before here in Red Square with such a stunning setting. Photographs by Richard Bumgardner, US Army Europe Public Affairs

The “Grand Finale”
Military Tattoos

Image by U.S. Army Europe Images
The “Grand Finale” right here in Moscow at the Moscow Military Tattoo, also recognized as the “Spasskaya Tower” Festival. A Russian band enters the square and plays their selections. They are then joined by the USAREUR Band and Chorus along with bands and performers from 9 other nations, all playing in the grand finale. Nearly 1000 musicians and singers/dancers participated tonight, providing an wonderful performance of Overture of 1812.
The “Spasskaya Tower” Festival runs 4-9 September 2010. This is the very first time in history that the US Army Europe Band and Chorus have performed in Red Square. Five years ago they performed at the Kremlin, but by no means ahead of right here in Red Square with such a gorgeous setting. Photos by Richard Bumgardner, US Army Europe Public Affairs

Step eight: More Colour

Sunday, June 1st, 2014

Some cool Koi Tattoos pictures:

Step eight: Much more Color
Koi Tattoos

Image by punk27fay
Cain beefed up some of the color in the dragon face with purples and pinks, yellow eyes, and red pupils.

y2.d126 | rain down on me, once again and once more.

Wednesday, March 5th, 2014

Some cool Love Tattoos images:

y2.d126 | rain down on me, once more and once more.
Love Tattoos

Image by B Rosen
all the information, on black.

tomorrow is our final dress rehearsal and then we open saturday night, so tomorrow is gonna be a crazy final minute marathon.

its been a great tech, and im so exciting to be carrying out Buddy for the 3rd time in my profession… its a single of my favourite shows of all time, and made me fall in really like with Buddy Holly’s music when i was just a teenager.

this also marks the very first appearance of my tattoo in this year’s project. i consider it only pops up in last years 1 time as properly.

rave on y’all.

Snappy Stories (February, 1924) …item 1d.. Shocking Blue – Venus (and more..) …item two.. Lady Sought In Recent Automobile Break-Ins (Oct 17, 2013) …

Saturday, February 8th, 2014

Some cool Woman Tattoos images:

Snappy Stories (February, 1924) …item 1d.. Shocking Blue – Venus (and more..) …item 2.. Woman Sought In Recent Car Break-Ins (Oct 17, 2013) …
Woman Tattoos

Image by marsmet53
Tallahassee, FL- Lock your doors and hide your wallets. The Tallahassee Police Department gives that advice after having several car break-ins during this month alone.
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……….*****All images are copyrighted by their respective authors ………
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… message header for item 1a. Shocking Blue

Shocking Blue was a Dutch rock band from The Hague, the Netherlands, formed in 1967. Their biggest hit, "Venus", went to #1 on the Billboard Hot 100 in February 1970, and the band had sold 13.5 million discs by 1973, but the group disbanded in 1974.
.

Mariska Veres died of cancer on 2 December 2006, at the age of 59.
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…………………………………………………………………………………………………………………………………………………….
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…..item 1a)…. Shocking Blue … From Wikipedia, the free encyclopedia

en.wikipedia.org/wiki/Shocking_Blue
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— Members

The initial line-up consisted of

Robbie van Leeuwen (guitar, sitar and backing vocals) (1967-1973)
Fred de Wilde (vocals, 1967–1968)
Klaasje van der Wal (bass guitar, 1967–1972)
Cor van Beek (drums) (1967-1974)
.
.
Later members were

Mariska Veres (vocals, 1968–1974)
Leo van de Ketterij (guitar, 1970–1971)
Martin van Wijk (guitar, 1973–1974)
Henk Smitskamp (bass guitar, 1972–1974)
.
.

— Albums

1968 Shocking Blue (Polydor) also known as "Beat With Us" (German title)
1969 At Home (Pink Elephant)
1970 Scorpio’s Dance (Pink Elephant) also known as "Sally Was A Good Old Girl" (Japanese title)
1971 Third Album (AKA Shocking You, Pink Elephant)
1972 Inkpot (Pink Elephant) – The official music of Mark Six

1972 Live in Japan (Pink Elephant)
1972 Attila (Pink Elephant) also known as "Rock In The Sea" (Japanese title)
1972 Eve and the Apple (Same as "Attila" with one different track, Polydor)
1973 Dream on Dreamer (Polydor)
1973 Ham (Same as "Dream On Dreamer", but with 3 different songs and 6 alternate versions, Pink Elephant)

1974 Good Times (Pink Elephant)
.

— Singles

1967 "Love is in The Air" / "What You Gonna Do" (Polydor)
1968 "Lucy Brown is Back in Town" / "Fix Your Hair Darling" (Pink Elephant)
1968 "Send Me a Postcard" / "Harley Davidson" (Metronome)
1969 "Long and Lonesome Road" / "Fireball of Love" (Metronome)
1969 "Venus" / "Hot Sand" (Pink Elephant)

1969 "Mighty Joe" / "Wild Wind" (Metronome)
1969 "Scorpio’s Dance" / "Sally Was a Good Old Girl" (promo)
1970 "Never Marry a Railroad Man" / "Roll Engine Roll" (Metronome)
1970 "Hello Darkness" / "Pickin’ Tomatoes" (Metronome)
1971 "Shocking You" / "Waterloo" (Metronome)

1971 "Serenade" / "Sleepless at Midnight" (Buddah)
1971 "Blossom Lady" / "Is This a Dream" (Polydor)
1971 "Out of Sight, Out of Mind" / "I Like You" (Polydor)
1972 "Inkpot" / "Give My Love to The Sunrise" (Polydor)
1972 "Rock in the Sea" / "Broken Heart" (Polydor)

1972 "Eve and the Apple" / "When I was a Girl" (Polydor)
1973 "Let Me Carry Your Bag" / "I Saw You in June" (Polydor)
1973 "Oh Lord" / "In My Time of Dying" (Polydor)
1974 "This America" / "I Won’t be Lonely Long" (Polydor)
1974 "Dream on Dreamer" / "Where The Pick-Nick Was" (Polydor)

1974 "Good Times" / "Come My Way" (Pink Elephant)
1975 "Gonna Sing My Song" / "Get It On" (Decca)
1980 "Louise" / "Venus" (promo)
1986 "The Jury and The Judge" / "I am Hanging on to Love (Polydor)
1994 "Body and Soul" / "Angel" (Red Bullet)
.

Compilations

— LPs

1969 Sensational Shocking Blue (Discofoon)
1971 Hello Darkness (Pink Elephant)
1972 The Shocking Blue Perfect Collection (Polydor)
1972 The Best of Shocking Blue (Pink Elephant)
1973 Shocking Blue’s Best (Metronome)

1973 With love from… Shocking Blue (Capri)
1978 The Shocking Blue Double Deluxe (Polydor)
1980 Venus (Piccadilly)
1981 The Shocking Blue Greatest Hits (CNR)
1986 Best of Shocking Blue (CNR)

1986 Classics (21 Records)
.

— CDs

1986 The Best of Shocking Blue (Victor)
1990 The Very Best of Shocking Blue (Red Bullet), (Arcade, 1993)
1990 Shocking Blue 20 Greatest Hits (Repertoire)
1990 Venus (Castle Communications AG)
1994 A Portrait of Shocking Blue (Castle)

1995 Shocking Blue The Golden Hits (Red Bullet)
1997 Singles A’s and B’s (Repertoire)
1997 Shocking Blue Grand Collection (A.R.O.)
1998 Shocking You (Laserlight)
2000 Shocking Blue Golden Collection 2000 (Lighthouse)

2000 All Gold Of The World Shocking Blue (Mekkophone & Castle Communications)
2004 Shocking Blue Greatest Hits (Red Bullet)
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— DVDs
2004 Greatest Hits Around The World (Red Bullet)
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.

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……………………………………………………………………………………………………………………………………………………..
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….item 1b)…. youtube video … Shocking Blue-The Best Of .wmv … 58:49 minutes …

www.youtube.com/watch?v=8AYmb1anD3I

rumola100

Published on Apr 7, 2012
No description available.
.
… *** add timeline …

00:00 Venus
03.03 Mighty Joe
06:12 Never Marry A Railroad Man
09:16 Hello Darkness
12:12 Shocking You

15:13 Blossom Lady
18:44 Inkpot
21:23 Rock In The Sea
24:23 Send Me A Postcard
27:03 Long Lonesome Road

29:52 Out Of Sight Out Of Mind
32:36 Oh Lord 35:07 This America
38:07 Good Times
41:33 Gonna Sing Me A Song
44:16 Love Is In The Air

46:53 Lucy Brown Is Back In Town
49:48 Eve And The Apple
52:29 Let Me Carry Your Bag
55:56 Dream On Dreamer
.
.

Category
Music
.

License
Standard YouTube License
.
.

— lanzelotty11 1 year ago

00:00 Venus 03.03 Mighty Joe 06:12 Never Marry A Railroad Man 09:16 Hello Darkness 12:12 Shocking You 15:13 Blossom Lady 18:44 Inkpot 21:23 Rock In The Sea 24:23 Send Me A Postcard 27:03 Long Lonesome Road 29:52 Out Of Sight Out Of Mind 32:36 Oh Lord 35:07 This America 38:07 Good Times 41:33 Gonna Sing Me A Song 44:16 Love Is In The Air 46:53 Lucy Brown Is Back In Town 49:48 Eve And The Apple 52:29 Let Me Carry Your Bag 55:56 Dream On Dreamer
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— robin2012ism 10 months ago

RIP Mariska. What a beautiful, talented and smart lady
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— bonjeeng 4 weeks ago

Love this album!!! Thanks!!! 😉
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— erickson alvis 1 month ago

Excelent,,, Mariska has a powerful voice…
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— UnderStoryProd 3 months ago

Shocking Blue IS the best!
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— Reginaldo Tenorio 4 months ago

Meu mais novo velho vicio.
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— clomones 5 months ago

a espiritualidade que ela invoca em suas canções é fantástico.,a banda é fodastica!
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…………………………………………………………………………………………………………………………………………………….
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…..item 1c)…. youtube video … Shocking Blue [Full Album] Scorpion’s dance 1970 … 53:22 minutes …

www.youtube.com/watch?v=7mfzXxR5AfE

Brent Alan Beck

Published on Nov 27, 2012

www.facebook.com/shockingblue... youtu.be/sYxRzwsQ7K0
Provided courtesy of Spinnin’ Records and WMG

Find the hidden track..

0:01 Mighty Joe
3:15 Pickin’ tomatoes
6:34 Hello darkness
9:27 Keep it if you want
12:23 Send me a postcard darlin’

15:02 Water boy
17:37 Venus
20:45 Good ‘ol girl
24:14 Scorpion’s dance
28:01 Animal good

34:07 Little cooling planet
38:13 Alaska country
42:07 I love voodoo music
46:10 Seven is a number
49:10 Scorpion’s return

Category
Music

License
Standard YouTube License
.

— Brent Alan Beck 1 month ago

Ностальгия, и все же свежее звучание сегодня. Очень вызывающие настроение. Nostalgia, and yet still fresh sounding today. Very mood evoking.
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— CharsPailmVEVO 9 months ago

and Demon Lover? Is my favorite song of this album
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— Brent Alan Beck 9 months ago

I used another lyric in the song, for title above. 28:01
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— tony vasquez 6 months ago

I like so much the song Demon Lover…..28:01……..is beautiful!!!
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……………………………………………………………………………………………………………………………………………………..
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…..item 1d)…. youtube video … Shocking Blue – Venus (and more..) … 20:11 minutes …

www.youtube.com/watch?v=FOqnT5YNNrc

redbullet

Published on Dec 17, 2012

Venus
Mighty Joe
Never Marry A Railroad Man
Shocking You
Blossom Lady

Out Of Sight Out Of Mind
Inkpot
Oh Lord
This America
Take Me High
Loving You

Category
Music

License
Standard YouTube License
.
.

.
…………………………………………………………………………………………………………………………………………………….
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…..item 2)… Woman Sought In Recent Car Break-Ins [GALLERY] …

… WCTV News … www.wctv.tv/home/headlines/ … Coverage You Can Count On ! …

By: Tallahassee Police Deparment Email
Updated: Thu 12:28 AM, Oct 17, 2013

Search For Credit Card Thief 10-16-13 5pm

www.wctv.tv/home/headlines/Woman-Sought-In-Recent-Auto-Bu…

By: Elizabeth Nickerson
October 16, 2013

Tallahassee, FL- Lock your doors and hide your wallets. The Tallahassee Police Department gives that advice after having several car break-ins during this month alone.

Police say it might be this woman on your screen. She’s described to be around 20 to 30 years old . She has black hair and a heart tattoo on her chest.

"In this case we’ve had several indications to believe that this person has committed many burglaries and we are trying to get a hold of her," said Dave Northway, from the Tallahassee Police Department.

TPD says the thief takes purses to get credit cards or check books. The suspect was captured using a victims credit card.

"That’s a concern with me because I think it’s important to maintain our identity and to watch for that I think people should keep their cars locked," said Alan Otley, a Tallahassee resident.

"More aware of locking up my car and making sure the windows are up, which I actually didn’t do right now, but just telling people just make sure you take your purse in," said Connie Copeland, from Tallahassee.

Police say it will not release any details of the car burglaries, so we do not know at this time how many cars or if they were unlocked. TPD says it is still an on-going investigation.

Anyone with information about the suspects whereabouts is asked to call Crime Stoppers at (850) 574-TIPS.
.
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— Press Release: Tallahassee Police Department

The Tallahassee Police Department’s Burglary Crimes Unit has been investigating a series of auto burglaries that have been occurring city wide. These burglaries began on October 8, 2013 and have consistently continued across the city.

The suspects are making entry into the victim’s vehicles and stealing purses, but are specifically target credit cards and checkbooks. The below female is a suspect in the burglaries and in the fraudulent use of the stolen credit cards.

She is described as a white female in her 20s or 30s, thin to medium build, and has long black or reddish hair with bangs. She has a large tattoo on her chest which appears to possibly be a “heart” design. She has also been seen wearing a short black bobbed wig.

She is possibly traveling in a newer model white Nissan Altima.
Anyone with information about the identity of this female or her whereabouts is asked to please call Crime Stoppers at (850) 574-TIPS or TPD at (850) 891-4200.
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